Interviews/Reviews

BRISBANE HOTEL, HOBART The Brisbane Hotel is alive with the ceaseless chatter of locals and interstate Christmas ex-locals catching up, dr...

E lsewhere, it's been written that 2010 was a year of musical disappointments. No instant classics (though some, including me, would arg...

GRACE DARLING With the stiff competition elsewhere in the city tonight it’s impressive to find the Grace’s bandroom nearly full, and the cr...

EAST BRUNSWICK CLUB Though it’s uncommon to see a band like The Field in a setting like the East Brunswick Club, it shouldn’t be. Audience ...

CORNER HOTEL “I hope you’re appreciating the full brunt of our theatre training,’ deadpans Ancients singer  Jonathan Mitchell after another...

With a voice that overshadows the remarkable story behind her debut album GRACE WOODROOFE's greatest achievement may be not inspiring je...

THE WORKERS CLUB A venue free of sound insulation,  bands get a bright and garish sound playing in the Workers Club, and this works surpr...

GRACE DARLING From the laughing packs of similarly-dressed teens and twenty-somethings lining the street outside through the packs of twent...

With a love of experimental electronic pop that can be described as both ardent and consistent, JAMES CARGILL of British group  BRO...

Via Postcard Records, Orange Juice and A Girl Like You , EDWYN COLLINS is a man with a fierce work ethic and a new album. ANDY HAZEL is in...

On the eve of a tour with  THE CHARLATANS , style icon and British indie legend TIM BURGESS gives ANDY HAZEL the lowdown on 20-plus year...

In the final installment of his tour diary with THE PARADISE MOTEL , drummer and scribe ANDY HAZEL commemorates the end of an era by revi...

Drummer and Inpress writer ANDY HAZEL tells of mad fans, traffic jams and fishy vans in part one of a diary from the first tour by THE P...

About to embark on a return trip to Australia, KAKI KING talks about her new album Junior , the merits of Ovation guitars, scoring for film...